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OUT: Album 'Dreams Don't Make Noise' by Lasse Matthiessen

A lot has happened with Lasse Matthiessen. At least musically. The Danish-born musician, who has since moved to Berlin, has turned his back on introverted singer/songwriter folk and instead devotes himself to electronic indie pop on "Dreams Don't Make Noise".
With "Dreams Don't Make Noise" Lasse Matthiessen goes with the zeitgeist and seems to have found his new style, which should bring him some new fans.

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OUT: EP 'Comma' by Manana

Talented male South African singer, Manana released a brand new music project titled “Comma” housing four tracks with features from London Rhodes, Noble and Yimeeka.

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OUT: Album 'Recoded' by Fear Factory

Fear Factory's albums are film-like soundscapes reminiscent of the dystopian, post-apocalyptic futures of classic science fiction literature and films from Ray Bradbury to Blade Runner. "Recoded" features reinterpreted versions of songs from their tenth studio album, Aggression Continuum. Much like the successful 1997 crossover release "Remanufacture" that followed the groundbreaking "Demanufacture" album two years earlier, "Recoded" takes a moment to focus on the band's industrial and dark wave side as well as their metal roots, brilliantly deconstructing and rebuilding the much-lauded 2021 album into a new soundscape. Whatever may come, Fear Factory will be there to provide the soundtrack for the uncertain times of mankind.

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OUT: Album 'Between Shootings' by Kastrierte Philosophen

Due the re-releases of the whole Kastrierte Philosophen back catalogue 'Between Shootings' just seen the digitaly daylight for the first time. 

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OUT: Album 'Boundaries' by Andreas Balicki

Driven by the power of slow, shivering downtempo rhythms and melodic techno influenced grooves, Andreas Balicki has become a one of kind voyager of sound. With his productions he is always striving towards unheard and unprecedented sounds, developing his own universal language. Releasing on labels like Pipe&Pochet, Akumandra or Serafin Audio Imprint along with support from DJs like Mira, WhoMadeWho, Jonas Rathsman and many others, his productions have clearly become a part of the electronic music scene. His sets captivate with their attention to detail and set the right mood for the moment. Notably his idea of merging dreamy melodies and driving, percussive rhythms have brought him to the stage of famous places like the Hive Club in Zurich or underground spots like Rummels Bucht in Berlin.

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OUT: Album '2022' by GALV & Jan Faati

GALV is an absolutely exceptional MC who enjoys great respect within the hip hop scene. His rap style, his flows as well as his voice are unique in the German HipHop landscape and his live skills are outstanding.

For his eighth album, GALV has teamed up with singer and producer Jan Faati as executive producer. Together, the two have built a musically exceptionally adept and poetically sophisticated album that nevertheless always remains catchy, light and funky.

Despite the collaboration of numerous musicians and producers, "2022" sounds rounded and as if from a single mold. On the one hand, this is due to the fact that GALV's very variable but extremely recognizable rap style holds the tracks together; at the same time, it is due to the influence of Jan Faati, who manages to unite the different influences into a musical work of art.

"2022" is an album in the best sense of the word: well conceived, elaborated down to the last detail, full of attention to detail and surprises, and all the while it seems unstrained and funky.

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OUT: Single '(To You) CEO, Bitch!" by Gregor McEwan

'(To You) CEO, Bitch!' is the title of the brand new single by singer/songwriter Gregor McEwan, which was produced and mixed by the musician together with Thies Neu. The mastering for the hymnic-melancholic track was done by the latter in the Tonbrauerei (Berlin).

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OUT: EP 'Music For Film' by Jan Wagner & Tobias Preisig

This music is the soundtrack of your own mind movie - let your imagination spinn - what movie do you see? what story would you tell? 'Music For Film' was recorded by Jan Wagner and Tobias Preisig while working on several film scores in Berlin back in 2019.

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